Fingerboard Radius Explained

DSC_0006 Fingerboard radius is responsible for a neck’s certain feel, made to give it a certain character of playability and comfort.

You might have noticed that on a good number of electric guitar and basses, their fingerboards aren’t exactly flat. Most of them have a slight convex curve through their width. This is known as their fingerboard radius, the measure of the arc of the fingerboard across its width.

The measurement of the fingerboard radius refers to the radius of a circle from which a small segment of the circumference equal to the width of the fingerboard is taken. For example, if you have a circle with a 7.25” radius and remove a piece of its side equal to the width of a fingerboard, you have a 7.25” fingerboard radius. If you take the same fingerboard width from a circle with a larger radius, you’ll end up with a slightly flatter radius. The higher the measurement, the flatter the curve, and vice versa.

fingerboard-radius The measurement of the fingerboard radius refers to the radius of a circle from which a small segment of the circumference equal to the width of the fingerboard is taken. The lower the radius measurement, the greater the curvature on the fingerboard.

Fingerboard radius is responsible for a neck’s certain feel, made to give it a certain character of playability and comfort. It’s a subjective measurement though; there’s really no right or wrong degree of it but there have been several established measurements that players can choose from to suit their personal preferences. A smaller, more curved radius is generally thought of as being more comfortable for playing chords. Meanwhile, a larger, less curved radius is generally considered to be better suited for single notes and bending.

The fingerboard radius specs vary not only from manufacturer to manufacturer, but often among each of their own electric guitars and basses as well. Fender for example tends to produce most of their electric instruments with either a 9.5” radius, found on about two-thirds of their modern guitars, or 7.25”, a vintage-era measurement used for most of their electrics from the 1950s up until the 1980s. The infamous Gibson Les Paul on the other hand usually comes with a 12” fingerboard.

There are also several instruments that feature a compound-radius design. In these designs, the amount of curvature gradually changes across the length of the neck, with the arc greatest near the headstock and steadily – but not completely – flattening toward the body-end of the fingerboard. Newer models of Jackson guitars tend to feature compound radius fingerboards, a common measurement being 16” at the body-end and 12” near the headstock. The benefit of this design is that some players find the rounder profile near the headstock preferable for chording and the flatter profile near the body-end preferable for soloing.

Here at ProAudioLand, we offer a huge selection of guitars and basses with a wide range of fingerboard radius specs. You can check them out for yourself by browsing our guitar and bass sections. If you have any questions regarding a specific model or just need some help, don't hesitate to chat with one of our Pros using the 'Contact Us' tab in the lower left hand corner.

 

Want to dig a little deeper? Check out our Neck Shape Profiles Explained article to learn about the different types of guitar and bass necks and how they give their instrument that signature feel!

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