How’s it going, everybody!? Hopefully all of you out there had a great holiday weekend and even got a few of those special items from your Christmas wish list to boot. But now that all but New Year’s Eve is left for us to celebrate in 2012, let’s get back to the important matters at hand – completing your perfect gear setup! In the world of music recording, performing, producing or what have you, there is a very important item that doesn’t get the attention it deserves. I’m talking about the DI box (for direct injection or direct input). Also known as a direct box, this little device’s main basic function is to convert the unbalanced high-impedance output of an instrument’s signal into a balanced low impedance one, which in turn allows longer cable runs without adding noise, among other benefits.
In their most basic setup, DIs are usually equipped with at least one input and two outputs; one being a thru-put for an instrument amplifier and the other for input to a PA system. The second of those outputs works through an XLR connection which also allows it to be connected to the microphone inputs of a mixer (more on that in a bit). Another extra function of the direct box is its ability to eliminate AC hum that stems from ground loops. It should also be noted that DI’s come in two main flavors – active and passive. All this is well and good, but what does that mean for you and your sound? Well, let’s take a deeper look into the world of DI’s and find out, but first…
The Rise of the DI Box
During the 1970s as venues became larger and touring equipment became more powerful and complex, the DI box was essentially created as a means to isolate a musician’s stage amplifier from the PA, thereby eliminating that well known AC hum. As mentioned above, they allowed longer cables to be used without damaging a signal’s integrity by lowering impedance and keeping that signal balanced. During these simpler times – and like most music gear at the time – DI’s were all passive and essentially a transformer in a little box which wasn’t so bad until it was discovered that these passive boxes were having a negative effect on the sound of certain instruments – most notably single-coil Fender basses. Not until the ‘80s did the active DI box come about, which if you are not familiar with the terms active and passive when it comes to things such as pickups, microphones and preamps, means that they needed an extra power source to get going – specifically a battery of phantom power. Alright, now let’s take a closer look at each of the two to get a better understanding of what each can bring to your sonic table, beginning with…
Active DI Boxes
Active direct boxes are in fact preamplifiers, whose primary function is to provide higher input impedance than that of a transformer to drive instruments with low-level signals. For example, if you were using a passive DI to send an old Fender bass to the console, its single-coil pickup had to drive amp, transformer, mic-splitter transformer, and a few hundred feet of cable. The result would be a lack of punch and clarity due to the excessive loading of the pickup. This is not to say that all passive DIs sound bad. Remember, application plays a large role. Another reason for sound quality issues with passive DIs in the past was that cheap transformers were being used to keep prices down. Unfortunately, poorly designed transformers can cause ringing and smearing of the upper frequencies, or a reduction of sound quality in general. Active DIs were created as a means of improving sound quality while keeping costs down. They did so by providing enough gain to drive the aforementioned Fender bass without adversely loading the instrument’s pickup. The tradeoff with active devices is the loss of ground isolation.
Active DIs can take their power from batteries, which is less desirable to professional touring FOH (Front of House) engineers, or phantom power coming off the mixer (more desirable). Active DIs, being much like preamps, also have features including pads, ground-lift switches, high-pass-filters, polarity reverse, and equalization switches. Alright, let’s move on to…
Passive DI Boxes
As we stated earlier, a direct box is basically a transformer. It acts as a bridge between input and output by virtue of electromagnetic induction. In essence the signal is passed through a shared magnetic field. Since there’s no hard wiring, the signal is electronically isolated from input to output. As a result, 60-cycle hum from ground loops and DC noise are eliminated. The word “passive” means that the unit does not require power in order to operate. Another advantage of transformers is that they don’t distort the way active circuits do when they are driven into overload. With active circuits, it’s all or nothing. Once overdriven, they abruptly go from clean to completely distorted and harsh, whereas transformers saturate, thus presenting a smooth transition that mimics the behavior of a limiter. On the downside, transformers aren’t particularly good at handling low-output instruments, such as old electric guitars, basses, and vintage keyboards, since there is no power to drive a weak signal. On the upside, along with hum-eliminating abilities, passive DIs are good at handling high-output instruments (anything with a battery-powered preamp, for example).
Some specialty active DIs have added features such as the BBE DI100x, which features a Sonic Maximizer circuit, and the Radial J48, which has a mono summing switch (that may not sound like a big deal, but it can really come in handy when you have limited console inputs and a rack of stereo keyboards shows up at the gig).
A Passive Mic Splitter, as its name implies, is a DI that splits a signal from a low-impedance source, such as a microphone, to two outputs. This enables you to feed two preamps from one source. Applications include onstage monitoring for musicians, live recording, videotaping and/or recording lectures or religious services, or simply for driving long microphone lines feeding an unbalanced input.
An Isolation Transformer is a DI that uses a floating transformer-isolated output (see Isolated Line Output below) to eliminate ground loops between equipment connected with unbalanced lines. The floating transformer provides the noise-reduction benefits of balanced lines. Applications include connecting the unbalanced output of a mixer that must drive long unbalanced cables to power amplifier inputs, and connecting line-level sound modules and samplers, etc. to live sound or recording mixers.